Film Fests
Brooklyn Horror Film Festival 2026 Lineup
Can you believe it’s already been a year since Brooklyn Horror Film Festival crept through the streets of NYC’s best borough? There are a few things I look forward to yearly, and Brooklyn Horror Film Festival has long been one of them. I get to watch some great horror films, wander the aisles of Twisted Spine, peruse the delightfully chaotic Night Owl, and get way too full at my favorite taco spot. What more can you ask for?
This year’s festival is set to bring thrills and chills to Metropolitan Ave. With new films that will frighten you to your core, and some throwbacks and special screenings, this year’s festival promises to be a bloody blast and a half. But what all is there to look forward to? Let’s dig in.
Image courtesy of Brooklyn Horror Film Festival
The Feature Films Of Brooklyn Horror Film Festival
I Love Paris // Opening Night Film // PRESENTED BY MUBI
Australia, France | 2026 | 120 Min. | Dir. Nicky Murphy
Aspiring underground singer Paris is bitten and turned into a vampire but, instead of letting her dreams of music stardom die, her hustle only goes harder and bloodier.
Species (Sanguine) // Centerpiece Film // New York Premiere
France | 2026 | 103 Min. | Dir. Marion Le Corroller
A young intern at a prestigious ER struggles to keep up with the fast-paced environment, and when a strange disease begins appearing in a number of her patients, she starts suffering from her own bodily symptoms.
Kick On // Closing Night Film // New York Premiere
Australia | 2026 | 91 Min. | Dir. Nick Kozakis
What starts off as a wild night of partying devolves into a brutal fight for survival when four friends cross paths with a mobster’s unhinged son in this gruesome new entry in the single-location siege horror canon.
The Glorious Dead // Presented by Arrow Video Leviathan Award // New York Premiere
USA | 2026 | 80 Min. | Dir. John Adams, Toby Poser
What should be a typical day in the life for a small town sheriff quickly turns sinister as people begin to disappear and fleshy creatures begin popping up all around them.
American Dollhouse // New York Premiere
USA | 2026 | 87 Min. | Dir. John Valley
A woman living a drama-riddled life returns to her childhood home for what she hopes can be a clean start but, no thanks to her psychotic and homicidal new neighbor, doesn’t go as planned.
Corpus // Presented by MUBI
USA | 2026 | 102 Min. | Dir. Corrin Evans
A photographer takes a trip to Upstate NY with his longtime friend and unrequited love, but the trip takes a turn when their three mysterious hosts begin to show they have ulterior motives.
The Cycle // East Coast Premiere
UK | 2026 | 112 Min. | Dir. Jordan Downey
When her estranged father’s corpse is discovered at a grisly crime scene, Meg is dragged into the investigation to uncover why—when he’s been missing for over three decades.
The Den
USA | 2026 | 77 Min. | Dir. Zachary Donohue
While studying the behaviors of webcam users, a sociology student witnesses a murder and becomes the killer’s next target in this early and underrated entry in the “screenlife” horror canon.
Erie // East Coast Premiere
USA | 2026 | 89 Min. | Dir. Alison-Eve Hammersley
Aided by her skeptical older brother, a young girl launches her own investigation into their sister’s mysterious death, connecting it to a string of local suicides whose explanations may or may not be supernatural.
Full Moon Rising: The Charles Band Story // North American Premiere
UK | 2026 | 94 Min. | Sarah Appleton
From his days revolutionizing the home video market to producing classics like FROM BEYOND and RE-ANIMATOR and running the influential Full Moon Features, indie maverick Charles Band’s illustrious career is front and center in this entertaining and inspiring documentary.
Kick On // Image courtesy of Brooklyn Horror Film Festival
Ghost in the Machine (35mm)
USA | 1993 | 95 Min. | Dir. Rachel Talalay
After he’s killed in a car accident, a serial killer’s soul is uploaded into a computer system, enabling him to find technological ways to try to kill the woman he was targeting before his death.
Godhead // East Coast Premiere
USA | 2026 | 98 Min. | Dir. Mark H. Rapaport
A pair of oddball, possibly dangerous twins force a priest to make a series of painful and potentially Biblical decisions in this singular blend of pitch-black comedy and surrealist horror.
J.D.’s Revenge (35mm)
USA | 1976 | 95 Min. | Dir. Arthur Marks
Hell-bent on getting some long-overdue revenge, the ghost of a New Orleans gangster inhabits the body of a young black law student in this Blaxploitation horror gem.
Little Doors // New York Premiere
USA | 2026 | 77 Min. | Dir. Anthony Oberback
A woman doing her best to survive day to day in an apocalyptic world finds a small door on the side of her body and contemplates opening it to see what’s inside.
Mountain King // East Coast Premiere
USA | 2026 | 94 Min. | Dir. Gabrielle Christensen
Surprising her boyfriend unannounced at his family home in Scandinavia, Hannah is determined to prove she can be part of the family no matter how increasingly dark their traditions seem to be.
Night After Night // East Coast Premiere
USA | 2026 | 86 Min. | Dir. Josh Lobo
When his fellow security guard vanishes, Andy is overwhelmed with paranoia about their enigmatic workplace’s intentions and the disturbing phenomenon kept hidden in the building’s new wing.
The Only One // World Premiere
Australia | 2026 | 99 Min. | Dir. Michael Schwarz
When her exes are suddenly being murdered one by one, suspicion falls on Zoe and it’s up to her and a ragtag team of old friends to prove her innocence and figure out the identity of the masked Prince Charming killer.
Opi // North American Premiere
Poland | 2026 | 96 Min. | Dir. Marta Giec
Shortly before her 18th birthday, a young woman’s already complicated home life gets upended by the arrival of an aunt and grandmother she’s never met before, triggering her family’s downward spiral into nightmarish folk horror.
The Passion of Joan of Arc (with live score)
France | 1928 | 81 Min. | Dir. Carl Theodore Dreyer
A towering achievement of the silent-film era, THE PASSION OF JOAN OF ARC equals and oftentimes eclipses the horror of any other masterwork from the 1920’s. Live music accompaniment by The Flushing Remonstrance.
The People Under the Stairs
USA | 1991 | 103 Min. | Dir. Wes Craven
Two criminals and their teenage accomplice find themselves stuck inside the booby-trap-riddled home of their ghetto neighborhood’s evil landlords in Wes Craven’s massively entertaining marriage of horror-comedy and social commentary.
Posthumous // East Coast Premiere
Australia | 2026 | 110 Min. | Dir. Josh Tanner
After returning to her childhood home, a troubled woman becomes enamored with VHS birthday tapes left behind by her late mother that gradually reveal a secret family connection to the occult.
Roma Elastica // Presented by MUBI // New York Premiere
France, Italy | 2026 | 107 Min. | Dir. Bertrand Mandico
A struggling French actress travels to Rome to work on a science fiction film which sends her spiraling and threatens to make this the last film she makes.
Rubberhead: The Life & Monsters of Steve Johnson // East Coast Premiere
USA | 2026 | 106 Min. | Dir. Nick Taylor
Tracks the spectacular rise and swift fall of practical SFX master Steve Johnson while taking viewers on an impressively candid and revealing overview of the glory days of special effects makeup.
Sender // New York Premiere
USA | 2026 | 94 Min. | Dir. Russell Goldman
A newly sober woman begins to find a disturbing amount of daily packages she never ordered on her doorstep, setting her off on a paranoid and dizzying investigation to discover her tormentors.
Slay // East Coast Premiere // Presented by MUBI
USA | 2026 | 89 Min. | Dir. Kyra Elise Gardner
After her friend is brutally murdered, a young social media star heads to a cabin in the woods with friends for what’s meant to be a distracting good time but turns into a bloodbath when a masked killer crashes the party.
Split Rock // North American Premiere
Canada | 2026 | 98 Min. | Dir. Ryan Glover
A group of geologists discover a strange anomaly in the desert and as they continue their research their thirst for knowledge threatens to put them in grave danger against an ancient horror.
Sundown // East Coast Premiere
USA | 2026 | 79 Min. | Dir. Rebekah McKendry
A trio of blood-related women seeking vengeance kidnap a man only to discover that his darkest secret is far worse than what they thought.
Screening with: Bloodsuckers, dir. Rosie Brear (USA, 10min)
Trauma, or Monsters All // New York Premiere
USA | 2026 | 118 Min. | Dir. Larry Fessenden
Larry Fessenden’s down-and-dirty, blue-collar universe of Universal-Monster-inspired films (HABIT, DEPRAVED, BLACK OUT) comes to its masterful conclusion in this clash of nightmarish titans set in a small town harboring its own dark past.
Trick ‘r Treat (35mm) w/ Season’s Greetings
USA | 2007 | 86 Min. | Dir. Michael Dougherty
It’s the ultimate Halloween season event with everyone’s favorite little pumpkin-headed demon, Sam: a special 35mm screening of Michael Dougherty’s classic Samhain-minded omnibus gem TRICK ’R TREAT (2007), preceded by the filmmaker’s handmade animated short that inspired it, SEASON’S GREETINGS (1996), and capped off by a conversation with Dougherty to discuss it all.
We’re All Going to the World’s Fair
USA | 2021 | 86 Min. | Dir. Jane Schoenbrun
A teen loses her sense of reality as she is drawn into a popular online role-playing game.
Secret Screening
??? | 2026 | > 100 Min. | Dir. ???
Get your best guesses ready, scary movie lovers—Brooklyn Horror is excited to present a mystery film that, trust us, you won’t want to miss! And, sorry, we won’t give any easy-to-solve hints for all of you proud cinema sleuths out there!
Okay, fine, we’ll give you a little something: Our “Secret Screening” film will be a must-see new gem that’ll make NYC’s horror fans kick themselves for missing if they aren’t in the building for it at Nitehawk. Sorry, that’s all you’re going to get. Now let the speculation begin
Breeder // Image courtesy of Brooklyn Horror Film Festival
The Short Films Of Brooklyn Horror Film Festival
NIGHTMARE FUEL
These frightening folktales, body horrors, and monsters in the machine will haunt your dreams and make sure you never sleep again!
Bagman, dir. Connor Gaston, Vaughn Gaston (Canada); Stuck, dir. Jan van Gorkum (Netherlands); Wax, dir. Alexandre Forgues, (Canada); Breeder, dir. Sapphire Sandalo (USA); YAOGUAI, dir. Mimi Lee (USA); Don’t Go, dir. Talon Darren Winsnes, (Norway); Tsume Kill: The Clapper Claw, dir. Shinsuke Fujioka (Japan); Ceiling King, dir. Mats Udd (Sweden).
HEAD TRIP
Open your mind to genre-bending terror and find the fear in everyday things like your sewing projects, mancaves, and headphones. Embrace the bizarre.
Man Eating Pussy, dir. Emily Lawson (Canada); Summer Project, dir. Yuki Hara (Japan); Headphones, dir. Steven Arriagada (Australia); Rusalka, dir. Mykita Bulgakov, Vlad Fishez, Oleg Batrakov (Ukraine); Prosthetika, dir. Brandon Chi-Wei Chen (USA); Needle, Sofie Somoroff (USA); Mancave dir. Fredrik S. Hana (Norway)
CULTURE SHOCK
Our latest and permanent program section strives to uplift Black filmmakers and aims to be a launchpad for new excellence in genre cinema. Join us in celebrating Black stories with our very first Culture Shock: Black Horror shorts block.
The Inheritance, dir. Destinee Stewart (USA); Night Feeds, dir. Rana Roy (USA); Angels Pull Your Hair, dir. Gabby Beans (USA); Dread, dir. Loren Loubser, Gabe Gabriel (South Africa, UK); The Keeper, dir Tananarive Due, Steven Barnes (USA); Grampa, dir Justice Smith (USA)
SLAYED // Presented by MUBI
Brooklyn horror explores the gamut of queer experiences in this shorts block, from messy lesbian relationships to taboo sexual experiences.
By Yourself, dir. Elaine Frost (USA); Crash Season, dir. Audrey Rosenberg (USA); Four Itchy Boys, dir. Andrew Hebert (USA); Internet Boy, dir. Joseph Demaria (USA); Embrace, dir. Matthew Rush (USA); Tooth, dir. Max Wren (USA); Mine, dir. Jaclyn Moore (USA); Scissors, dir. Hannah Alline (USA)
LAUGH NOW, DIE LATER
Horror and comedy are sisters – both build up tension for a satisfying relief. After all, isn’t death the final punch line?
Knitting Club, dir. Diogo Abrantes, João Rito (Portugal); Baby Fever, dir. Katrina Vergara (USA); Udders!, dir. Michael Spencer (USA); CHÄIR, dir. Chris McInroy (USA); A Stable Marriage, dir. Josephine Decker (USA); Matches, dir. Jake Delaney (USA); Open Mic, dir. Jano Pita (Spain); Vape Glow, dir. Steven Schloss (USA); Gloss, dir. Leah Shore (USA); House Cat, dir. Kyle Spleiss (USA)
DEATH GRIP
These shorts will grab a hold of you, won’t let go, and love to watch you squirm. Enjoy slow-burn horror and explore the dark recesses that hide in quiet moments.
Bruised Sky, dir. Gary James Kent (UK); Down the Length, dir. Milo Ed (UK); Primus the Robot, dir. Max Delagrave (France); Devourer, dir. Nirvana Nagi; Living Grounds, dir. Émile Lavoie (Canada)
HOME INVASION 1
Hometown heroes and fresh faces alike showcase their newest works. Enjoy the work of our locals and let their creativity inspire you!
The Crying Man, dir. Emily Bennett; Richard Goes On a Date, dir. Johnny Frohman; Imprint, dir. Ran Jing; PRIME, dir. Meagan Coyle; Viewfinder, dir. Clay von Carlowitz; Packages, dir. Nick Barat; Crib Club, dir. Jordan Freeman Klaja; Walter Wuz Here, dir. Ben Duff
HOME INVASION 2
The category so nice, we made it twice. Our community is bursting at the seams with talented creatives, we can’t fit everything into one block.
Echelon, dir. Sebastian DiNatale; Book U Can Ask ???s, dir. Casimir Nozkowski; No Free Brains, dir. Ciara Sergi; Behind This Locked Door, dir. Matthew Brennan; Carousel, dir. Christopher Kosakowski; Hand, dir. Jennifer Winterbotham; The Fool, dir. Adjahni Dèsirè; In My Blood, dir. Alex Bendo
Do you like what you see? Who wouldn’t! And with a slate of special events, and two fully stocked bars, what more can you really ask for?! If you’re interested in checking out all that Brooklyn Horror Film Festival has to offer, you can check out their passes here! You better hurry, though…time’s ticking! I hope I see a few of you there; come say hello!
If you’re not watching Indonesian horror, you’re missing out. The region is producing some of the craziest genre movies around right now, thanks in no small part to the efforts of writer-director Joko Anwar. His latest, Ghost in the Cell, which celebrated its North American premiere at Fantastic Fest 2026, combines everything we love about the filmmaker’s work—supernatural scares, inventive kills, and gnarly gore—along with a strong vein of comedy and political satire.
What is Ghost in the Cell About?
Ghost in the Cell centers around Dimas (Endy Arfian), a journalist whose life falls apart after he tries to run a story on corporate corruption and mysterious worker deaths. Wrongfully convicted of the horrific murder of his boss, Dimas finds himself with a one-way ticket to Cell Block C, where he quickly meets a colorful cast of prisoners—the good, the bad, and the seriously nasty. Among the good guys, there’s Anggoro (Abimana Aryasatya), who is constantly getting into trouble for defending fellow inmates, and Six (Yoga Pratama), who claims he can see people’s auras.
As if Dimas’ situation couldn’t get any worse, his arrival seems to trigger a series of brutal killings in the prison. Bodies are showing up mangled beyond recognition and displayed in positions that wouldn’t look out of place in Hannibal. It soon becomes clear that Dimas isn’t behind the murders, which begs the question: what did he bring in with him?
Anwar Embraces Horror-Comedy Whole-Heartedly
Prison is a scary place, and Anwar makes great use of the setting, with the action moving from the dingy showers where predators lurk to the bleak cellblock where inmates are at the mercy of their captors and the cafeteria where rival gangs eye each other up with ill intent.
But for all the human misery contained within the film, Ghost in the Cell is ultimately a horror-comedy, one that isn’t afraid to lean into broad slapstick and quippy dialogue when it wants to raise a chuckle. The tonal shifts can take a little while to adjust to, especially if your previous experience with Anwar comes from his more serious horror outings like Impetigore. This might be a problem if the film wasn’t actually funny, but Ghost in the Cell has enough laugh-out-loud moments to make you forget about any whiplash.
Ghost in the Cell Is a Genre-Bender to the Max
Comedy isn’t the only new flavor that Anwar has tossed into the mix. In Ghost in the Cell, dance sequences and martial-arts fight choreo sit side-by-side with some of the most extreme gore scenes seen outside a Terrifier movie in recent years. Then there’s the eerie way the spirit presents before it kills (trypophobia sufferers, beware) and the extensive critique of political corruption, power, and inequality. It’s an everything-and-the-kitchen-sink approach that shouldn’t work on paper, but under Anwar’s assured hand, it does.
It helps that for all the slapstick, the film lands a surprisingly earnest message, amplified by its vast ensemble cast. Dimas and Anggoro at times feel like main characters, but everyone in Ghost in the Cell has a big part to play, and that’s the point: in seemingly impossible circumstances, there’s strength in unity.
Ghost in the Cell Is an Endlessly Entertaining Blend of Goofiness, Heart, and Gore
If you’re looking for nonstop scares, you won’t find them in Ghost in the Cell. What you will find is a delightful blend of horror, comedy, and action that is apt to leave you grinning from ear to ear.
The film doesn’t skimp on the gore, throwing flesh and fluids at every surface. But it’s also charmingly goofy, with a cast that doesn’t take itself too seriously and a script that’s all too happy to devolve into a comedic dance scene when it feels like the spirit might strike. In every sense, Anwar is doing the most, and the end result is a film where there’s nary a dull moment in sight.
One of the great pleasures of attending Fantastic Fest is the ability to occasionally see movies that won’t be out for many months. That’s especially true with the Secret Screenings, which this year included a work-in-progress print of In a Violent Nature 2, a film that doesn’t even have a release date yet and made for a wildly entertaining midnight movie surprise.
While a few things may change between now and release, the cut shown at Fantastic Fest felt near-final. Here’s what you can look forward to when this sequel eventually slashes its way onto our screens.
Johnny Returns in In a Violent Nature 2
In a Violent Nature 2 picks up right where the action of its predecessor left off, while also introducing new aspects of the lore that slightly contradict or complicate what has already been established, a nod to the way that slasher sequels throw in new plot elements willy-nilly to suit their needs.
The second film centers on Alex (Lucas Nguyen), a quiet 14-year-old kid who misses the bus home from camp because his bullies have stuffed him in a trunk. Since his older sister works at the camp, he gets to hang out for the night while the counselors celebrate the end of the season. Unfortunately, an old fireman’s whistle has drawn the mute, hulking Johnny (Ry Barrett) to the camp—and before long, their night of revelry has turned into one of unimaginable horror.
Less Walking, More Killing
Chris Nash, who wrote and directed the first film, handles scripting duties this time around, with Nate Wilson—who served as first assistant director on the original—stepping into the director role. It feels as though Nash may have listened to viewers’ complaints about how much walking was in the original, because In a Violent Nature 2 takes a break from following Johnny on his lumbering mission. Instead, the camera largely chases Alex through the woods as he runs, trips, and stumbles away from the carnage.
This change is a mixed bag. Alex may be more a dynamic figure to follow overall, but he also makes some frustratingly poor choices, and his teenage moodiness makes him a little unlikeable. The first film also succeeded, in part, because it consciously played into how audiences consume slasher movies, with their sympathies shifting from cheering on the killer to rooting for the final girl when she triumphantly emerges. In a Violent Nature 2 feels like less of a meta-commentary on the slasher genre, though it still has plenty to offer fans of the genre, especially when it comes to kills.
In a Violent Nature 2 Takes the Gore to a Whole New Level
Mention In a Violent Nature to a horror fan and they’ll probably bring up the yoga kill within 10 seconds. For the sequel, Nash and Wilson attempt to up the ante—no small feat considering just how violent the first film was. It’s hard to top that particular kill, but In a Violent Nature 2 certainly gives it the old college try.
Shifting the focus from a single group of friends to an entire summer camp, even one that’s emptying out, instantly ups the potential body count (and harkens back to the slasher films of yore). Counsellors are slaughtered in droves, in ways more brutal than anything seen in the original film, with a few kills in particular sure to get people talking. It’s a real treat for fans of practical effects, and it’s great to see that even horror films positioning themselves as more “elevated” than the typical fare can have fun and get their hands bloody.
A Possible Set up for Another Sequel?
Minor spoilers ahead.
In a Violent Nature 2 feels like something of a response to the reception of the first film, removing what people didn’t like and piling on more of what they did. The result is a movie that feels a little less focused and meditative than its predecessor, but still incredibly fun. And with a third film heavily teased in the final minutes, it seems like we’ll be seeing more of Johnny in the near future. Based on the trajectory of other slashers, can we expect to see him fighting a psychic child next? Or—dare we dream—is he preparing for a trip to space?
Only time will tell. Better lace up your walking shoes.
When Does In a Violent Nature 2 Come Out?
In a Violent Nature 2 is slated to hit theaters sometime in 2026. Keep an eye on IFC Films and Shudder’s socials for more release information as it becomes available.
