Ryuhei Kitamura’s Downrange is a deceptive film. Its first fifteen minutes are mundane dialogue, a plain cast with a bland script to read off of, a...
As someone who works the night shift and is a fan of the Lucy Dacus song, I can confirm that weird stuff goes on during the...
In André Øvredal’s Passenger, there’s a type of signage that takes center stage in the plot: hobo signs. An informal hieroglyph language of road signs, they...
I was browsing the Arrow Video table at Brooklyn Horror Film Festival in 2024, spending way too much money. (Nearly $400!) One film really caught my...
There are countless subgenres within subgenres for horror, and one that feels underutilized is workplace horror. Unless you’re one of the lucky few, most people wake...
Would it be a month of coverage on Horror Press if I didn’t bring up at least one aughts film? I know the curator of all...
One talking point of horror that has always been true is that horror was, is, and always will be political. It doesn’t matter what Damien Leone...
No, you can’t pray the gay away. For queer youth, a proper life following Christian values is essentially a life on the run; an eternal haunting....
No way it’s the horror of 2026, but Hokum could be this year’s most solid “welcome to the big leagues, kid” horror. It’s a pill that’s...
One of the most entertaining aspects of horror is its subgenres. Zombie films have an ever-branching group of sub-subgenres, as do slashers and paranormal films. It’s...